Archive for the ‘HDR’ Category

Historic Cowtown Coliseum in Fort Worth

Thursday, July 22nd, 2010


video tutorials in the near future | I need your help!

I try to keep things as fresh as possible here. I’ve been working really hard to add high quality, relevant content to the site for my readers and I think this is a good next step. Over the next few weeks or maybe months, I will be developing some online training videos for people interested in photography. I’m currently in the brainstorming phase of what videos to produce and what topics to expound on. I have a good idea of what I’d be interested in making, but what really matters is what interests you! So I am currently taking requests and recommendations for what videos to focus on. There are three main ways to cast your vote: Leave a comment below this post, send me an email to contact (at) jamesbrandon.cc, or you can send out a tweet that says something like this – @jamesdbrandon, I think you should create a tutorial for _______. I’ll tally up any votes I receive and use that to decide which videos to focus on first. Thanks in advance everyone!

The Historic Cowtown Coliseum in Fort Worth

Fort Worth is my home. I’ve been here all my life and the only time I want to leave is when I visit Hawaii. Despite the ridiculously hot weather, unreasonable humidity levels, and the occasional tornado, it’s actually quite a pleasant place to live. I live right between Fort Worth and Dallas, and on any given night if I have a choice, I’m going to Fort Worth. It’s just so much more laid back than Dallas. I could spend all day taking pictures in the Stock Yards, and all night hanging out at Sundance Square. Not that Dallas is bad, I just feel more uptight there, you know?

The image below is of the historic Cowtown Coliseum on East Exchange (the main street running through the stockyards). I’ve been there a few times over the years for the rodeo and even the occasional boxing matches they host. The whole area is rich in history and this place is no exception. It was built in 1907 and completed in 1908. The coliseum hosted the worlds first indoor rodeo, the first live rodeo broadcast, the first night time horse showing, and more. If you’re ever near Fort Worth, you’ve just got to come by the stock yards.

The Cowtown Coliseum
121 E. Exchange Ave.
Fort Worth, TX 76164
1-888-COWTOWN or Metro 817-625-1025



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The Alligator in Waiting

Wednesday, July 21st, 2010


My Work on display at Art251

Guess what! You can now see my work hanging at the art251 gallery in Keller, Texas in the Art House complex. Art251 is a beautiful, very modern art gallery and it features only the best work from local and national artists. They also made it into the coveted “Best of the Best Big D” list for D (Dallas) Magazine. I am truly honored to have some of my work hanging on their walls! If you get a chance to stop by, be sure to check out the work of Sean Fitzgerald. He’s a fellow photographer and has been to some really cool places in Africa. Art251 has a gallery in Dallas that is more “earthy” and sells things besides art, while the Keller gallery is purely art focused, which I like. Check out the art251 website for directions, and you can check out my bio page there as well.

The alligator in waiting

I set up this quick image at a restaurant called Lorenzillo’s in Cancun, Mexico. I was trying my best to capture the beautiful light filling up the trees from the orbs. I knew I had to move quick because a storm was rolling in quickly (you can see the dark sky creeping in from the right side of the image). I set up my tripod and started firing off shots but I kept running into trouble with ghosting because the storm was bringing high winds that were causing the tree to sway as well as the umbrellas on the deck. I had to of been there for about 5 minutes before my wife Kristin suddenly realized there was a freaking alligator laying beneath us! I didn’t even notice it there because I was focused on the lights in the tree, I never thought to look down. Once we saw, we both thought it was fake. I was convinced that there wouldn’t be some random, blue platform floating in the water that some alligator could come crawl up on. I figured the alligator was there to scare customers and was built on the platform and tossed into the water. Makes sense right!? This guy didn’t move an inch the whole time we were there. While Kristin was totally convinced it was a fake, I kept starring at it to see if it moved. Then I noticed something; the small waves that were hitting the shore from boats where causing the alligators tail to sway in the water! It wasn’t plaster! I was then filled with a deep sense of panic because I had been taking pictures about 20 feet from an alligator and didn’t know it was there the whole time. What if it was hungry?



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Laguna Beach at High Tide

Monday, July 19th, 2010


I’ve always edited my photos out of order. It just always made sense. Sometimes I won’t even look at the images from a shoot for days or weeks or even months. I do this so the anticipation of the images builds, and when I finally look at them I have a fresh perspective on them. I also do this so I don’t have to deal with the pressure of editing thousands of images from a trip all at once. It’s just too much of a hassle. I just edited the image below and it was done in January of this year. No biggie! Another advantage is that as I learn new techniques and refine my editing skills, I can edit images that I would have done poorly on earlier. In fact, I tried to edit this very image about a month after January. I failed. I simply could not make the water look right. The exposure that had the good looking waves wasn’t coming through right in Photomatix, and when I tried to mask in the correct one, I just couldn’t make it look good. I tried it again this evening and bam, no problem at all. I have gotten so much better at masking, adjusting exposure levels, re-masking, painting, spotting things to fix, that it was a piece of cake. I can also say with certainty that if I had edited this image in January, the sky would have looked bad. Back then (it seems so long ago) I was still pretty new to HDR, so I simply took the Photomatix result of the sky and went with it. This would cause haloing around trees, and unrealistic colors in the sky.

About the image | Laguna Beach at High Tide

I took this image at a somewhat secluded cove in Laguna Beach, below the famous (and incredibly expensive) Montage Beach Resort. In fact it was so secluded that some photographer felt comfortable enough to photograph his half naked girlfriend and was right in the way of my shots for a while. After they finally left, I was free to create images of the sunset! Kristin and I waited at this cove for an hour or so waiting for the sun to go down, and for naked people to leave. During the sunset, I took tons of images from different angles. And when it just started dipping below the horizon we started to leave to find a vantage point on top of the cliffs. Right when I got the end of the cove we were in, I found this spot and fired off 6 exposures from my 5D Mark II.

Canon EOS 5D Mark II, Canon 15mm Fisheye f/2.8, 15mm, f/14, ISO 200, 1/13th



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San Clemente Pier Awaiting the Sunset

Saturday, July 17th, 2010


I’m kind of a sucker for California, sunsets and beaches (if you haven’t noticed). So when I can get all three of them in one image, I’m pretty satisfied. I have an almost identical image of this pier that was shot about 10-15 minutes later in an older blog post. That image shows just how quickly sunsets change from beautiful golden warm tones, to surreal and cool tones. I took this image on a photo walk with Trey Ratcliff, back in January. If you like the images on this blog, you should check out his work as well over at Stuck in Customs.

I took this image with a Canon 5D Mark II (I’ve got a review here), and a Canon 24-70mm lens (review here). I kept the aperture fairly low here to freeze the waves as much as possible. The lower your aperture, the faster your shutter speed. Shots like these have several obstacles, including waves, birds in the air, people walking by on crowded beaches, and so on. Some people can’t figure out how you would be able to freeze birds in the air when you’re taking 3-7 frames of a scene. To concur this obstacle, you can either mask in one of the lower light frames (which always have the fastest shutter speeds of the set, or shoot a single RAW image and convert it into a pseudo HDR.



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Miami at Dusk | Miami Travel Photography

Wednesday, July 7th, 2010


TED Videos

Have you ever heard of TED talks? Well they are amazing. Basically the worlds greatest thinkers and intellectuals and dreamers converging at a conference to share the talks of their lives to an invite only audience of equally great thinkers, intellectuals and dreamers. And the best part, TED went online in 2007 and now offers these talks for free. They are an invaluable way to broaden your intellectual horizon and knowledge of world trends in technology, entertainment, design (TED) and more. I have been watching these videos for a while now any time I have down time, and I decided to make a list of my Favorite TED Talks of all time. Check it out, I think you will fall in love!

Miami at Dusk

Here is another shot from my recent trip to Miami. Sunsets amaze me, they are my favorite thing to photograph. To me, sunsets are also one of the most challenging things to photograph as a professional. You can’t just see a beautiful sunset and take a picture of it, not if you want the image to have impact. The sunset is simply a backdrop. So if you go out, set up your tripod, wait for that perfect moment, and take an exposure of a brilliant sunset with some boring field at the bottom of the frame, well…who cares? A sunset is a backdrop, so without a subject it just won’t stand the test of time. We’ve all seen the most beautiful sunsets of our lives. So to make a sunset image last, there has to be an equally beautiful and interesting subject in the skyline. This can be a palm tree, a famous landmark, a mountain range, a city skyline, anything that draws attention as a subject. So next time you take a picture of a sunrise or sunset, keep this in mind. It will awaken your senses and make you think outside the box.



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Topaz Labs Review

Sunday, June 27th, 2010


Coupon Code

Before we get started, go to the Topaz Labs website and download a trial version to run along with this post. That way you can try it out for yourself before you buy it. If you plan on purchasing the Topaz Labs Photoshop Bundle or any other software from Topaz Labs, be sure to use the coupon code “jamesbrandon” to receive a 15% discount off your purchase.

Download Trial Version

Purchase Topaz Labs Software (must use coupon code “jamesbrandon” to receive discount).

The Topaz Labs Review

Topaz Labs is a company that distills the latest in imaging technology through the use of a wide variety of software programs and plug-ins. In layman’s terms, it’s a collection of Photoshop filters that really make your photos pop with detail and quality. They have a wide variety of options available (including options for videographers), but I strongly suggest purchasing the “Photoshop Bundle” because of it’s value and ease of use. If you’re using CS5, they now have an update available to make the plug-ins 64-bit compatible. The Photoshop bundle includes the three sets of filters that I use in probably 80% of my images: Topaz Adjust, Topaz Detail and Topaz DeNoise.

Topaz Adjust

Topaz Adjust is really the flagship set of filters offered by Topaz Labs in my opinion, especially if you’re into HDR photography and post processing. Adjust has a wide array of filters that vary from soft and subtle,  to psychedelic and far out (probably want to stay away from those ;-) ). Below is a recent image from Miami shot at sunset, right after combining 5 exposures in Photomatix (Photomatix Review):

Here lies the main problem with Photomatix; loss of detail. Photomatix is an amazing program and the only one I suggest when combining exposures for HD., Unfortunately the complex algorithms, combining of pixels from different images, and adjustments to color and tone can really take a tole on the overall image. Topaz Adjust is a great way to bring that detail back into the image. If you have the Photoshop Bundle, place the image you want to “adjust” is on the top layer. Navigate to your filters menu and select Topaz Adjust. If you don’t have Photoshop, you can still save the image from Photomatix and then open it in any Topaz filter program. You can also use any RAW file or JPG in Topaz, it doesn’t just have to be for HDR. If you’re going to run Topaz on a single image, I suggest using a RAW file. Here’s a look inside Adjust when you send an image to it…

Going over some of the options above, the small thumbnail on the left will give you a preview of the selected filter as you hover your mouse over each one in the list. If you want to see a large preview, simply click once on any filter and the large image in the middle will reflect that filter. After using these filter packages for a while, you’ll find which ones work well, and which ones to stay away from. For this image, I used the “Portrait Drama” filter. This one adds a good bit of contrast and vibrance without overdoing it. Here’s the same image after a run through Topaz Adjust…

Pretty amazing difference huh!? This set of filters is really great, and I can’t speak highly enough of its capability. If your using Topaz for HDR, you’ll notice that running an image through Adjust brings out a big flaw that is already prevalent with HDR images; noise.

Topaz DeNoise
While you may not be able to tell from the screen shots, HDR images bring in a LOT of noise. It’s one of the biggest problems with HDR processing. Here’s a close up of what the noise looks like after running a series of exposures through Photomatix and then Topaz Adjust after that (at ISO 125!)…

Topaz DeNoise has three main options for JPG’s and RAW files: Light noise, Moderate Noise, Strong Noise, and Strongest Noise. The goal is to use the lowest setting possible in order to maintain as much detail as possible. The latest version of DeNoise is version 4, and it has a LOT of improvements over the previous version 3. Version three had a lot of issues with not fully processing the noise filter over the image, leaving spots of patchy noise here and there. I haven’t seen this in version 4 so it seems like they fixed it. For this image, I ran it through the “Strong Noise” filter. Here is a screen shot of the program in action, followed by the same screen shot from above after the noise reduction.

Now that you’ve run the image through DeNoise, you’ll want to make sure you only include the filter on the sky. Because this is a noise reduction filter, there is a definite loss of detail in the image. You’ll want to create a mask in photoshop on the DeNoise layer and only include the sky in the mask. That way the buildings are still crystal clear since the noise doesn’t show up as much on them (sometimes).

Conclusion

Topaz Labs is a very powerful set of filters to add to your post processing arsenal. It’s a great way to make your images stand out amongst other photographers, and a really great way to wow your clients. Don’t forget to buy your copy of Topaz Labs by visiting their purchase page and be sure to use the coupon “jamesbrandon” to receive a discount of 15% at checkout. If you found this tutorial helpful and used Topaz Labs to process an image, be sure to send me a link in the comments section to your flickr stream, facebook or website. I’ll do my best to have a look and critique your work if you’d like.

The Final Image (after Photomatix, Topaz Adjust, Topaz DeNoise, and a lot of layering and brush work!)

And finally, a group of images I’ve done recently using Topaz Labs groups of filters. Enjoy!



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The Banyan Resort | Key West Travel Photography

Saturday, June 26th, 2010


EXIF Data Now Included Below Images

Not all my readers are photographers, but a lot of you are. I have gotten a few requests in the past to go into more detail about how I got each shot. I think including the EXIF data (Exchangeable Image File Format) is a great way to show some of this detail. EXIF data is simply the metadata that your camera stores within the digital file that shows the camera settings used for a specific shot. For any HDR shot that uses anywhere from 3-7 exposures, I will simply include the prime/anchor/middle exposure of the sequence. The EXIF data will be typed in below the images in bold text.

Need backgrounds for your computer, laptop, iPad, or iPhone?

In case you missed it a few months ago, I have a beautiful collection of high resolution images for you to use as backgrounds. They will work for computers, laptops, iPads, iPhones, or any other device that can utilize background images. Did I mention how beautiful they are!? Gone will be the days of plain color backgrounds, pixelated images you got from Google, or awkward family photos that your Aunt Nancy took when you were a kid.

The Wonderful Banyan | Key West Travel Photography

In the past few months, I have developed a love for Banyan Trees. They really are incredible, and I can never take my eyes off of them! The image below is from Key West, Florida at The Banyan Resort. The resort is made up of six different town homes that visitors can stay in. The house in the image is the Cosgrove House and was built in 1850. The banyan tree in front of the house was planted in the early 1900′s and controls most of the front yards real estate. It’s huge! But it’s no comparison at all to the 400 year old banyan tree I saw on the big island of Hawaii a few months ago!

The Banyan | Key West Travel PhotographyCanon EOS 1Ds Mark III, Canon 24-70 USM 2.8, 24mm, f/8, 1/10th, ISO 160



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Lifeguard Tower in Cancun | Mexico Travel Photography

Friday, June 25th, 2010


Here’s an image from the beach in Cancun, Mexico. I was there earlier this month shooting a wedding so I didn’t have to time to do a whole lot of exploring. I did manage to get some shots around the resort we were staying at however, the Gran Caribe Real. I had to do what I would consider some pretty extensive post processing to this image. I actually edited this one on a plane ride from Houston to Miami and I didn’t finish until right before we started our decent. So it probably took a good two hours of clean up. The original image was quite messy actually, and to the left you can see one of the RAW images straight from my camera. Sometimes you just have to work with what you’ve got. I waited a little while for the people to move but I quickly realized they weren’t going anywhere. There was also a lifeguard giving us the stink eye when we started to move the floaties and junk from the left side of the tower. We did however move them from the right side to the left at least. Before doing my normal processing of the image, I used the new “Content Aware Fill” option in Photoshop CS5. While I can’t see myself using this feature a great deal, and I think there is definitely a lot of perhaps over-hype about it, it does come in handy sometimes. It runs an algorithm that looks at the surround pixels of an area and fills in the space that you want to delete with pixels that match horizontally and vertically from the surround image. So I simply drew a line around the people with the lasso tool, hit Shift+Delete with Content Aware selected and clicked OK. CS5 deletes the people and fill in the blank space with the shoreline and water. This would noramlly take quite a bit longer because you would have to use a combination of clone stamps with different levels of softness and opacity, followed by various healing brushes, spot healing brushes, and a lot of time. So what used to take ten minutes, now takes ten seconds. And that is a big deal for work-flow! If the people kissing would have been closer to the guard tower or my lens, I may have left them in there, but because they were far out and took up so little real estate I saw them as a distraction that needed to be removed. You’ll see I also removed the floaties on the left side of the guard tower and the person poking up from the right side.

Canon 1Ds Mark III, Canon 24-70 f/2.8 , 24mm, f/13, 1/125th, ISO 125, 7 Exposure HDR



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Photomatix Pro Review and Tutorial | HDR Photography

Monday, June 21st, 2010


Coupon Code

Before we get started, go to the HDRsoft (the company that makes Photomatix) and download a trial version to run along with this post. That way you can try it out for yourself before you buy it. If you plan on purchasing Photomatix Pro or any other software from HDRsoft, be sure to use the coupon code “JamesBrandon” to receive a 15% discount off your purchase. You can go directly to their purchase page or their home page if you want to find out more.

Photomatix Pro Review and Tutorial (Current Version 3 and BETA Version 4)

Photomatix Pro is a stand alone software program that takes bracketed exposures from your camera and combines them to create an HDR (high dynamic range) image. The main reason you would want to create an HDR image is when there is too much contrast in a scene to capture all the light that can be realized by the human eye. Take for example the image below:

If you simply took a picture of this plane, with a normal camera, in broad daylight, it would look like this:

You see how it’s not about the camera? Anybody could take this picture. I didn’t have special access to this plane, I was a tourist with a camera. I walked up to the plane, set up my tripod, and fired off three shots of this jet.

Now, this is where Photomatix comes in. Photomatix Pro will take my three exposures and run a complex algorithm on them to pull out the best light from each image. When you set up for an HDR image you take anywhere from 3-7 images of the same subject at different light levels. When I took this image, all I needed was three. There wasn’t enough contrast to warrant any more than that.

The first image is properly exposed, the second is two stops under exposed (to gather detail from the sky), and the third image is two stops over exposed (to gather light in the shadows). Take these three images from Lightroom, Aperture, or whatever program you might be using, and open them up in Photomatix Pro. No matter what program you use to send your images over, you will get a pop-up window that is going to ask a few questions.

If you’re a beginner, some of these options might be useful to you. I don’t use any of them because I can fix any faults of the image later in Photoshop.

Align Images – If you aren’t using a tripod while you take your 3-7 images, you will have to click this box. The best way to align is by correcting horizontal and vertical shifts in the images. Having Photomatix crop the resulting image is probably a good idea too if you took the shots hand held.

Reduce ghosting artifacts – This is an option that will attempt to fix issues with moving subjects. If you take a picture of a sky while birds are flying across it, you will find that Photomatix won’t be able to tell which image to blend in to the final product. All 3-7 images will have birds in 3-7 different locations so you will get these weird, blurry streaks across the image. This is especially a problem with long exposures.

Reduce Noise – If you don’t have any other means of reducing noise, you can check that box as well. I use Topaz DeNoise 4 to reduce noise at the final stage of my editing, so I don’t want any other noise reduction until then. Why? Because noise reduction removes details and I want to preserve as much detail as I can until the last step.

Reduce Chromatic Aberrations – This is a complicated one for most people. Chromatic Aberrations are these colored distortions that you get in your image when your cameras lens fails to focus all the colors at the same convergence point. If you take a picture of a sky and there are trees in the frame, the camera can’t compensate for the extreme contrast between the sky, and the tree. This is because there is too much dynamic range of light between the two subjects.

Show intermediary 32-bit HDR image – Don’t worry about this one.

Automatically re-import into Lightroom library – This is obviously if you are using Lightroom. I don’t use this option ever.

Now that you have checked or unchecked all the boxes, click “Export.” Now you just have to wait a minute. Photomatix Pro is working through a complex algorithm to decide which light from each image to include in the final version. Depending on your system and how many images are involved, this can take anywhere from 1-5 minutes, maybe even more. Once Photomatix is done processing your image, a box may pop up that doesn’t look like an HDR image at all. This is another confusing part to some people but just click tone mapping to get to the next part. When you do you will be taken here:

The image in the window above is the final result I got after moving the sliders around to the left. You may notice that this image doesn’t look the same as the final product I showed you at the beginning. Well, Photomatix isn’t the last step :-) . I like to say that Photomatix gives me a rough draft. It gets me about half way there, if that. A few tips on the sliders…

  • I keep strength at 100% almost all the time
  • Color saturation should be pretty high most of the time as well. It just depends.
  • Luminosity will control how bright the image looks. The further right you go, the more HDRish the image will become. This can be a bad thing.
  • Microcontrast will control contrast of the image but only in a subtle way.
  • Smoothing probably has the greatest effect over the image. The further left you go, the more psychedelic the image is going to look. Also, the further left you go, the more problems you will run into with haloing (I’ll get into that more in another tutorial).
  • Under “Tone Settings” there are sliders called White Point, Black Point, and Gamma. These sliders control the amount of light and shadows in the image and as you move these sliders around, you will see the histogram on the left being affecting by moving right or left. Histograms are a whole other blog post, so stay tuned! Just know that the histogram needs to look similar to the one above, with no data bunched up on the right or left side. It should look a bit like a mountain where the bottom of the mountain is on each side of the chart.

The rest of the sliders are either self explanatory, or make very minor changes to the image. You will have to go through each slider and play around with them to get a feel for what does what. I never leave the sliders in the same place for every image. They are all different and they all call for different tones, vibrance levels, saturation, etc. Once you are happy with the look of the image click “Process.” You’re done! After Photomatix processes the image it appear as a finished version and stay on the screen. To save it somewhere, go up to File>Save As and create a unique name for it and place it in a folder that you will be able to find.

Summary

Photomatix is a very powerful tool for creating HDR images. I have used a few other programs and this is the best in my opinion. You won’t be able to get into HDR photography without purchasing custom software that your computer doesn’t come with. Remember, if your going to purchase Photomatix, you can get 15% off by using the coupon code “JamesBrandon” at checkout. Here is a link again to their ordering page and website. If you aren’t sure yet, you can simply download the trial version and try it out. What do you have to lose!? If you have any further questions, tweet me at @jamesdbrandon and I will get to the question as soon as I can. You can also leave a comment in this post. Have fun!

Quick Overview of Photomatix 4.0 BETA

Photomatix has recently released a private version of their BETA 4.0 software to select Photographers. While this version isn’t public yet, if you purchase version 3 right now, HDRsoft will provide an upgrade when the final 4.0 is released. I can tell you that 4.0 is great! It has a lot of really good improvements and it is a LOT faster! There are also options for semi-manual ghosting correction, options for presets, and better noise reduction to name a few. I am using it exclusively right now but still used the previous version for this tutorial to avoid confusion (since the new version looks slightly different).



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The Path to South Beach | South Beach Miami Travel Photography

Thursday, June 17th, 2010


Today I had a little time to check out the strip at South Beach and the beach itself. A warning to families with kids: This place is adults only! I had no idea! My wife Kristin and I walked to beach for about 30 minutes and saw about six very under dressed people sunbathing, a group of 6 or 7 homeless guys getting arrested for fighting, a car that got broken into, a guy who weighed about 300 lbs. in a thong dancing for girls who walked by, and a gang that forced me to take refuge in a nearby Starbucks to avoid getting jumped and having my huge camera stolen. What a day!

When you walk down the strip in South Beach, the west side is all mega-bucks restaurants with even more mega-bucks cars parked outside. The east side is a park with jogging trails and vendors, and then there are these little pathways spread out here and there that lead to the beach through sand dunes.

I’m not one to use these kind of filters on images very often. In fact, I have never used a watercolor style filter on a photograph before. But this one was different. I shot the image at f/2.8 because the sunlight was going quick. I also left my tripod in the car to avoid sticking out like a sore thumb to all the sketchy people of South Beach. Therefore I had to do this 7 exposure HDR hand-held so I needed as fast of a shutter speed as I could get. The resulting image had the trees in the background taken to a soft, flattering blur. So instead of making the details pop in this image, I decided to exploit the soft blur from the wide open aperture and ended up with this: A 7 exposure HDR, handheld, processed in the currently private/pre-release version on Photomatix Pro 4.0, then run through a filter in Topaz Simplify to get the watercolor effect.

What do you all think?

South Beach Florida | Miami Travel Photography



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